Thanks to all who watched the event on Friday, we all enjoyed it and were really pleased with the response, we were only sorry not to have more time for questions and discussion. Ludmilla Andrews did a great job of executing the film at great speed in lockdown conditions. My commentary for the film was written in haste over the New Year and recorded in the following week. It's a snapshot of the transition from 2020 to 2021 through the prism of Test Dept's work and Fisher's response to it.
Montage by Vera Bremerton. Next Friday I'll give an experimental presentation at Noise=Noise on the strange parallels between the sonic and conceptual dystopianism of Doctor Who and first generation British industrial music. Dr. Who exposed mass audiences (often very young) to a combination of experimental electronic sound and dystopian themes, a combination that could also summarise industrial music. Dr. Who frequently presented post-apocalyptic scenarios of mutation, mind control and para-militarised societies and, in the process, at least implicitly criticised actual political and technological developments of the time, particularly those associated with the Cold War arms race. Due to budgetary constraints these visionary scenarios were often realised in a rudimentary ad hoc fashion; an approach that also applies to industrial. The early industrial groups highlighted the most serious social and political themes using very primitive electronic equipment, creating a kind of...
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