Plural Machine

Despite its undoubted cultural vitality, Glasgow has often had a grim reputation, especially south of the English border. Yet the very bleakness, exacerbated by epic mismanagement, aggressive deindustrialization and sectarianism has also made it a site of constant and sometimes tragically over-ambitious attempts at utopian regeneration. This can be seen in the now highly poignant film Glasgow 1980 , which was already being quietly forgotten and surpassed by harsh reality even before the city had reached the year the film is supposed to depict. It poignantly promised a gleaming, post-industrial future in which "muscle gives way to automation." Yet in between the completion of the film and 1980, the oil shock and economic slowdown shattered the dreams of its makers and backers. Relatively little of the utopian plans (which to some already seemed dystopian) was ever built and many of the hopes of the "white heat of technology" era came to nothing. Other buildings

Last Saturday I join a pan-European group of friends and c. 700, 000 others on the People's March. As I explained to a Japanese journalist, we were there as we felt we had no choice. I have the sense that many in the country feel that if they just keep their heads down and give the Brexit People what they want, then they'll be satisfied. This is a huge mistake. The elite mob of disaster capitalists, neofeudalists and kleptocrats may not be unstoppable, but they are absolutely insatiable. Ultimately, nothing will satisfy their lust for blood and power, so it is better to make a stand now while it's still possible than to have to wrest back control from them amidst the Hard Brexit chaos they dream of. The most hard-hitting banner: Farage as English F ührer  I've been on 2 previous marches on this subject, but this was a huge increase in numbers and energy. Apart from a tiny pro-Trump mob outside Brexerspoons on Whitehall, there was no opposition. The weigh and spiri

Join us for the London launch of the English/German book Gesamtkunstwerk Laibach , a collection of new perspectives on the work of the group. Co-editor Uwe Schütte will present the book and this will be followed by a panel discussing their own selections of Laibach videos: Alexei Monroe will analyse  Mi kujemo bodočnost 1983 Simon Bell  will analyse  Opus Dei (Life is Life) Michael Goddard  will analyse  Wirtschaft ist Tot Uwe Schütte  will analyse  Germania Codex Europa will play a selection of rare and lesser-known Laibach pieces, alongside a few classics. Tickets are available on the door or f rom the venue website .

Quatermass is a story of the future ... but perhaps only a few years from now. What might be in store for us if our civilisation were to come under terrible unforeseen strain. Nigel Kneale, 1979. I saw the final Quatermass TV series as an impressionable 10 year old. Like many of my generation, it's stayed with me ever since. The earlier Quatermass films and TV series are more respected critically and writer Nigel Kneale himself had reservations about the way the 1979 instalment was realised. Yet however imperfect it is, it does have great poetic dystopian power. At the time, the urban warfare and mad cults it depicts were (correctly) taken as Kneale's somewhat bitter look back in anger at the social and political chaos of the 1960s and 1970s. It's forgotten that Kneale was looking forwards as much as backwards. In a feature for the TV Times to promote the series, he argued that the near total collapse of civilisation that he foresaw might be just a few years awa

Title slide of my presentation. Image of the doomed Birmingham Central Library, June 2015. Photo by A.M. Last week I spoke at the Nonument Symposium in Ljubljana, focussing on the way that 'Brutalism' is used and abused in contemporary culture. The renewed cult popularity of Brutalism is a phenomenon I've been observing with a mixture of fascination, enjoyment, ambivalence and disgust for some time and the lecture had a packed agenda. It was an attempt to try and decode the various agendas and interests circling around Brutalism and to track them. I analysed a range of examples, from internet culture to contemporary design to industrial music to science-fiction.  Brutalism as a (life)style or even an attitude is arguably more 'sexy' and, for some, virtuous than ever, yet many of its most iconic structures are now being demolished or de-brutalised through cladding - a term now synonymous with the horror of the Grenfell Tower fire. Image of the doomed Birmi