Plural Machine

Laibach and NSK: “Industrial Diagnoses of Post-Socialism”, M’ARS Ljubljana VIII/3-4, 1996. “ Činiti nepopularno vidljivim: nominalizacija v popularnoj muzici” (Making Visible the Unpopular: Nominalization in Popular Music) in Dimitrejević, B. (Ed.), “Pop Vision”, Vršac/Belgrade 1996. “ Art & Strategy: Laibach versus Turbo”, New Moment No. 9/10, 1998. “ Thinking About Mutation: Genres in 1990s Electronica” in Blake, A. (Ed.) “Living Through Pop”, Routledge 1999. “ Balkan Hardcore: Paramilitarism and Pop Culture”, Central Europe Review (http://www.ce-review.org), June 2000. “ 20 Years of Laibach, 20 Years of?…”, Central Europe Review, September 2000. “ Deleuzoguattarian Praxis and Electronic Music”, British Postgraduate Musicology (www.bpmonline.org.uk) Vol. 4, 2001. “ Critical Frequency”, (review of “This is Serbia Calling”, by Mathew Collin) Central Europe Review, May 2001. “ Office Politics”, (interview with Slovene NGO) C...

My reaction to the London disturbances, which I witnessed first hand, is online at Trebuchet Magazine . To some on the left it will be heretical, yet I don't believe this is the time for self-censorship or keeping diplomatically silent about what you see happening in front of you. The fact that England's public institutions are rotten, corrupt and violent doesn't mean that what happened wasn't at its heart an ultra-Thatcherite kleptocratic insurgency rather than the liberating revolution some would like it to be...